Episode #4 \\ Working with the edges // 21st century art theory part #2 \\

Episode 4 : Working with the edges : 21st century art theory part #2

In episode four Morgan Quaintance talks about his journey from music into art, how learning about group dynamics has helped him to understand art world hierarchies + the language of the institution. Morgan also discusses his New Conservatism essay + questions how we can instigate change in the art world. There is also another part of our series of train chats with writer critic Rose Cleary, artist Paige Ockenden + Emma Edmondson, a track from the collaborative project of Miss HerNia and Milky Genes + some experimental sound cut-ups from Emma Edmondson.

The podcast was conceived as part of TOMA’s development and is supported using public funding from Arts Council England.

Tracklisting:

5 minutes with - - - Train chat with Rose Cleary, Paige Ockenden + Emma Edmondson

Interview with - - - Morgan Quaintance (book referenced Anthony Burgess' A Clockwork Orange | film referenced There Will Be Blood | music referenced Daisy Chainsaw ) 

5 minutes with - - - Emma Edmondson // Uchronie part 1 (2017)

5 minutes with - - - Miss HerNia + Milky Genes // Foot Problems (2018)

5 minutes with - - - Emma Edmondson // Uchronie part 2 (2017)

All music and jingles from - - - Milky G - - - listen to more of his stuff HERE

Podcast imagery by - - - Emma Mills

 *The Other MA (TOMA) is a 12-month artist-run education model based in Southend-on-Sea. TOMA is currently the only postgraduate level art programme in Essex after all others were stopped by their host Universities. It was set up in 2015 by artist Emma Edmondson, in partnership with Metal, to offer affordable, accessible contemporary art education outside of the traditional institution. It is now an independent not for profit CIC.